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  • in reply to: 2009 Summer NAMM #99491
    Quote:
    Thanks for all the helpful answers Flick! No rush, get your work done ;)

    Some more questions for when you have time:

    Do the memory boy and memory toy self oscillate?
    Does the expression pedal on the memory boy sweep the whole delay range?
    Does the depth on the LFO get deep enough to do some flange sounds as well?

    1. Yes they both self-oscillate, or run away.
    2. Yes the expression pedal on the Memory Boy can sweep through the entire range. You have to tune the DELAY knob to set the maximum delay time range of the pedal’s sweep.
    3. It doesn’t do flange but that has nothing to do with how deep the modulation goes. Flange is modulation of a very short delay time. The Memory Boy’s minimum delay time is not short enough to do flange effects.

    in reply to: 2009 Summer NAMM #99463

    I have to get some work done now, I’ll check back later.

    in reply to: 2009 Summer NAMM #99462
    Quote:
    Flick, some more questions if you’d be kind of to oblige:

    Qballs-
    1. when the resonance is cranked does it self-oscillate or get near self-oscillation?
    2. With the attack and decay controls, is it possible to get Microsynth type filter sounds and hence synth sounds? Jack Conte’s video didn’t really make it clear, since he was going for the upbeat funk thing.

    Answers:
    1. Near self-oscillation yes, it does get very peaky! But not self-oscillation, although if you have a bunch of gain in your setup either before or after the Q-Balls it might self-oscillate, we haven’t tried it.
    2. You can get a synth dive that is similar to the Micro Synth, by setting the Start and Stop control appropriately in addition to Attack and Decay. So, yes you can get “synthy” sounds out of the Q-Balls but they might not all sound like a Micro Synth.

    in reply to: 2009 Summer NAMM #99461
    Quote:
    The expression pedal controls delay time when the rate switch is set to either Vibrato or Chorus modes. Set the switch to EXP. PEDAL mode and the expression pedal controls the modulation rate.

    This explanation of the expression pedal control on the Memory Boy is accurate.

    in reply to: 2009 Summer NAMM #99431
    Quote:
    My questions:

    V256:
    -what do the drone modes do?
    -what does reflex tune mode do?
    -what does instrument control mode do?
    -what does transposition mode do?

    The V256 has two optional internal synthesizers so that you don’t need to have an instrument plugged in to start vocoding. The three Robo sounds (which are all identical) have a synth that makes you sound like a robot. The drone modes have a synth that is more like an organ.

    Single Drone is one note, Major drone is a major triad or chord and Minor drone is a minor triad or chord. Turning the Pitch knob in all 6 vocoder modes will set the pitch of the internal synth. Turning this knob fully CCW clockwise will turn off the internal synth so you can use external instruments. You can also use MIDI to control the internal synths.

    The bottom three modes are all pitch shifters.

    Reflex Tune is automatic pitch correction based on the scale you set it to or the chord you play on your instrument.

    Transposition is simply pitch shifting your vocals by a fixed amount, +/- 1 octave.

    Instrument Control mode allows you to pitch shift your vocals to whatever pitch your instrument is playing. It is a monophonic effect. Play an E note on your guitar, no matter what note you sing into the effect it will output the same E note your guitar is playing.

    in reply to: 2009 Summer NAMM #99430
    Quote:
    My questions:

    Cathedral:
    -what does infinite do?

    V256:
    -what do the drone modes do?
    -what does reflex tune mode do?
    -what does instrument control mode do?
    -what does transposition mode do?

    Memory Boy:
    -what does the expression mode control?

    Infinite, on the Cathedral, is basically a reverb that never decays. So it’s like freezing a note. When you enter infinite mode while holding down the TAP FSW, it will block the input of the reverb section so you can’t add more notes to the infinite though you can play over the frozen notes. If you set the reverb time to infinite by using the Reverb knob, you can put as many notes or sounds into the infinite reverb as you want.

Viewing 6 posts - 721 through 726 (of 726 total)