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Viewing 15 posts - 691 through 705 (of 726 total)
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  • in reply to: Oh My Goodness!! DELUXE Memory Boy! #106632

    The range for the DXMB’s GAIN knob is -6 dB to +20 dB.

    in reply to: Oh My Goodness!! DELUXE Memory Boy! #106631
    Quote:
    Not sure if this has been brought up yet, but is this pedal true bypass? I would imagine it is, but it does not list that in the “quick specs” on the product page like other “memory series” delays that have TBP. Other than that, I am literally compulsively checking for updates as to when this thing is gonna be available!

    Yes the DXMB is true bypass.

    in reply to: Oh My Goodness!! DELUXE Memory Boy! #106630
    Quote:
    I hope the gain knob allows for equalization of output when the DMB is engaged. I had the MB, and liked it for the most part, but returned it based on the way the blend knob functioned–when it was dialed back, it boosted the dry signal as it reduced the volume of the delays. This meant that disengaging and engaging the MB resulted in fluctuations in overall volume if repeats were set to be lower in volume than the dry signal. A dealbreaker for me.

    Anyone know if the gain control on the DMB functions like a level control a la the DMM?

    Yes the GAIN knob allows you to equalize the volume when the effect is engaged vs. true bypass mode.

    in reply to: Ring Thing! WOW! #106629
    Quote:
    can you hold down the tune fsw while playing to get a sort of continuous tuning of the internal oscillator?

    Yes you can do this, it’s monophonic tuning though.

    in reply to: Ring Thing! WOW! #106594

    While in the UB or LB modes the Mono output will have whichever mode you are set to, the R output will have the other band.

    For example, if you are in UB mode, the UB effect will come out of the MONO output, the LB effect will come out of the R output. Vice verse when you set it to LB mode.

    in reply to: Ring Thing! WOW! #106593
    Quote:
    I wonder what the mod input is for

    The mod input allows you to use an external carrier signal. So you could use one instrument to ring mod another instrument.

    in reply to: Ring Thing! WOW! #106592

    308px-SSB_bandform.svg.png[/quote]

    These diagrams show exactly what’s going in the Ring Thing while in RM (Ring Mod), UB (Upper Band) and LB (Lower Band) modes.

    RM mode is the second diagram. In RM mode you will have both the upper and lower bands present, along with your original signal if mixed in using the BLEND knob. So if you have the Ring Thing to frequency shift your signal by 200 Hz and you put in 400 Hz, your Ring Mod output will be two signals one at 200 Hz and the other 600 Hz. Mix that with your dry signal and you have three frequencies present.

    In UB mode (the third diagram), the lower band is eliminated so that the effect only produces the upper band frequency. In the above example you would only hear the 600 Hz signal plus your dry signal, no 200 Hz signal.

    In LB mode (the last diagram), the upper band is eliminated so that the effect only produces the lower band frequency. In the above example you would hear only the 200 Hz signal plus your dry signal, no 600 Hz.

    in reply to: Ring Thing! WOW! #106591
    Quote:
    I’m gonna take a stab in the dark guess here that when you play a note, press and hold the tune footswitch and the carrier auto-tunes to the note you are playing?!!!

    This is correct for the Ring Mod, Upper Band and Lower Band settings.

    Play a single note on your instrument. Then press and hold the PRESET FSW for a specified amount of time (we’re still tweaking how long that should be) and the Ring Thing will tune its internal waveform generator to that note. It makes retuning the Ring Modulator’s frequency very easy.

    in reply to: 22 Caliber noise issue? Pffffffffffff….. #104580

    Does the volume of the noise change with the Volume knob setting? Meaning does it increase as you turn up the volume?

    in reply to: Hole in microsynth xo faceplate #104564
    Quote:
    oh, so now its your band when her name is first! just kidding, is there any real birthname relevence?

    You’re right actually. I’m just the guitarist. Swish came up with the name and the concept and writes the majority of the songs.

    The names have no relevance to our real names at all. “Swish and Flick” is taken from a phrase used in Harry Potter.

    in reply to: Hole in microsynth xo faceplate #104556
    Quote:
    hey flick, is there a swish (person)?

    There is, she’s the singer in my band.

    in reply to: Left and Right reveresed on 2880 Dry output #104555

    If you turn the DRY PAN knob to fully counter-clockwise (fully left) the inputs will go to the correct outputs: Left In to Left Out, Right In to Right Out.

    If you turn the DRY PAN knob to fully clockwise (fully right) the outputs will be reversed: Left In to Right Out and Right In to Left Out.

    If you center the DRY PAN knob, both outputs will be a mix of the Left and Right inputs.

    The DRY PAN knob only changes your monitoring, it does not change what is recorded to each track.

    in reply to: MYSTERIOUS MINIMIZING MEMORY BOY DELAY TIME #104553

    We are looking into the cause of the problem, there are a couple of things that might cause it.

    The DXMB (Deluxe Memory Boy) will definitely not have this problem.

    in reply to: Hole in microsynth xo faceplate #104552

    Yes we have shipped a certain number of Microsynths and Bass Micros with that extra hole.

    in reply to: Input Impedance of 22 calibre amp? #104250
    Quote:
    Anybody have any idea what the input impedance is? I’m interested in using it with piezo pickups which like to see at least 1Meg ohms.

    The input impedance is 2 Mohms.

Viewing 15 posts - 691 through 705 (of 726 total)