Home Forums Review Your EHX Gear The new B-9 Pedal

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  • #83527
    guitslinger
    Member

    I just watched the demo of the B-9 pedal on Youtube and I was just flabbergasted beyond words.I have a few modulation devices that emulate the Leslie speaker to some degree some quite good,some not so good.Even the Tech 21 RotoChoir although it comes closer than most to nailing the real Leslie tone,still has your guitar sounding like a guitar.I couldn’t believe the way EHX has succeeded in making a guitar sound just like an actual $10,000 vintage B-3 or a Vox Jaguar or Continental etc. but what really floored me was how the B-9 transformed the guitar’s tone to sound like a Casavant pipe organ-I wonder if anyone has transcribed Bach’s Toccata and Fugue in D min. to guitar.I have put one of these puppies on my Christmas list-if I can hold out that long,I may just pick one up long before that because this has caused a major G.A.S. attack.

    BTW: There is only one downside that I can see to the B-9 and that is that after hundreds guitarists buy these,you’ll see a lot of bands giving their keyboardists their walking papers.Cheers

    #120035
    jorri
    Member

    am impressed by how much it wounds like an organ.

    Its likely combining pitch, chorus, leslie/tremolo effect with some kind of compressor/expander but somehow sounds more organy than you could get. perhaps some wave shaping or granular shifting like superego going on there (or is that just me assuming there aren’t any new effects?). Was really expecting just a POG variation, tuned for organy sounds but is really just a ‘shimmer’ effect, like the earthquaker organizer does but it actually is an organ sound!
    I can get different organ sounds with fuzz and vibrato effect with maybe pitch shift, but not these.

    I wonder what other instruments ehx could imitate-to follow their sitar pedal as well. Maybe strings-some of the hazarai reverse settings get extremely like a string section, especially with a pitch shifter behind it.
    Piano would be cool too, as in a sustain pedal, like a variation of the freeze that works like that.

    Makes me want to experiment with effects a lot….getting dangerous ideas!

    #120036
    danjbass
    Participant

    How is it on bass? I’m sure that question will be thrown often.

    #120037
    halfcack
    Member

    I met you in NYC, in the factory, second floor in the mid sixties, I think that’s wrong because I have no sense of time, forgive me. I bought most all of your pedals, I used the flanger the most to emulate guitar. After watching the vid twice, even with today’s tech, it’s impossible. You now own the world. I’m happy. A lot of bad attitude B-3 players will be fired. I can’t imagine, Steve Walsh’s solo on Point of No Return being played by a guitarist, ouch.

    The Electro-Harmonix flanger got me an, “out of factory equipment tester position,” although no official title was given. Tony Marchese, however, did once called me a human interfacer. I got to see everything and floated through the big factory anywhere, I was present so much.

    I met Dr. Moog early on, although I don’t think he would have remembered the original shop around Ithaca, NY, I should say his bum, in Williamsville, after the huge company from Chicago started to take the company apart, because he was inside a speaker at the intro time, although inside the enclosure he managed to get his head turned around to see me and say hi.

    The secret flanger I usually had hidden, so impressed the designer of the Micro Moog, when hearing a band I was in, live, in Buffalo, used his factory discounts to allow me to buy one of the first off the line. As well as a PolyMoog and then gave me a backup for the tour. I think what impressed him most at the end of the evening I had a long solo and I could make the Micro squeak at will, at the end of a line which even impressed me.

    I met Larry Fast for the first time at the factory.

    In a three keyboard player band emulating guitar sounds, we tortured the guitar player all the time. I sent him an apology note a few minutes ago with the URL to the demo, telling him if this was real back then we (keyboard players) would have cried like little girls.

    If you could now make a box for my strap on Rol with synth guts to sound exactly like a guitar without as much work, although not as great an accomplishment as the B9, or even close, it would be loved by keyboard benders.

    Thanks Mike.

    #120038
    alnico357
    Participant

    The B-9 demo is VERY impressive. Please now commence work on the Holiest of Grails, a Mellotron simulator. You can call it the Tron Blue (mello)Tron (Moody)Blue(s)

    #120039
    FMGOGO
    Member

    When will the B9 Pedal be available for purchase?

    #120041
    Andy123
    Participant

    That is my problem. I called Guitar Center and Zzounds and they both said a few months. Why would hex have this “Grand” introduction and not have it ready to buy???

    #120046
    guitarkevin
    Member

    Sweetwater has it available for pre-sale.

    Hey EHX, What is the drop date?

    #120048

    I would like to know if B9 is suitable to use as an input a keyboard ( for instance a simple keyboard as a Yamaha PRS series) instead an electric guitar. The idea is to take the advantage of this fantastic sound using a relatively inexpensive keyboard

    #120050
    ehxIsTheBest
    Member

    This is just the best immitation of an organ sound! :D Does anybody knows if the the effect of jazzorgan (and the others too) uses octaves up or octaves down? If I hear it I would think it are only octaves up. I hope it are only octaves up because octaves down are bad for guitaramp speakers.

    #120052
    Breezecookie
    Participant

    I preordered from Sweetwater, and they said it would be in towards the end of this week or the beginning of next.

    The demo video gave me chills. My wife thinks I’m nuts.

    So here’s a technical question: I play solo gigs with a looper. This will be perfect for filing out some organ trio type jazz and blues. My worry is the signal chain. Will this “track” (I know that’s not the right word in this case) my signal if I run guitar to delay to boost to B9 to looper? I don’t want to futz it up with muck, but if I run the delay and boost AFTER the looper, then will it futz the organ sound up worse? I actually have the option of two inputs into the looper, so I could run both the dry and the organ outputs into the looper, putting the delay and boost in between the dry output and the looper, but then I assume the dry output is “always on,” so I couldn’t get the organ signal solo?

    I know the thing to REALLY do here is wait until I get and just mess with it, but it’s more fun to speculate, especially if there’s a chance some EHX expert might jump in and give some suggestions.

    Can’t wait!
    David

    #120057
    Carl Bigsby
    Participant
    Quote:
    This is just the best immitation of an organ sound! :D Does anybody knows if the the effect of jazzorgan (and the others too) uses octaves up or octaves down? If I hear it I would think it are only octaves up. I hope it are only octaves up because octaves down are bad for guitaramp speakers.

    Both above and below is available, according to the user manual.

    [em]1. Fat & Full- This sound adds an extra octave below and above to make your
    guitar sound twice as big. Fills out any band in an instant! MOD Type:
    Chorus.
    2. Jazz- This preset has the cool, smooth jazz tone reminiscent of the late
    great organist Jimmy Smith. MOD Type: Chorus.
    3. Gospel- This preset has the upper octave drawbars added to capture that
    great soulful organ tone. MOD Type: Chorus.
    4. Classic Rock- This preset captures the classic rock sound of songs like
    Procal Harum’s “Whiter Shade of Pale.” Add a touch of distortion for a classic
    dirty organ. MOD Type: Chorus.
    5. Bottom End- This preset has the lower draw bar sound. Perfect for adding
    bottom to your guitar or playing B3 bass sounds. With the CLICK control up you can lay down a bass line like the one on Sugarloaf’s “Green Eyed Lady.” MOD Type: Chorus.
    6. Octaves- This preset uses the fundamental tone plus one octave above. This sound is great for songs like Led Zeppelin’s “Your Time is Going to Come.” MOD Type: Chorus. CLICK control adds not only key click, but higher harmonics.
    [/em]

    But you shouldn’t be concerned about your guitar speakers. I have been playing organs (including my Hammond) through guitar speakers for years without problem and this guy ( http://youtu.be/4mW9b_KRedQ ) who probably did first, did it loud and for a very long time… :)

    #120058
    JACSTRAT
    Member

    I plan on getting one of these! This will be an extra interesting song writing tool for this guitar guy. I wonder when they will come up with a piano one! Imagine a Fender Rhodes tone out of your electric guitar! Mike Matthews are you reading this sir?

    #120062
    harperbass
    Member

    I would have liked to see other players use this. My only question is will it work w/ a harmonica and mic! Anybody know?

    #120071
    EHXinSeattle
    Member

    I got mine yesterday..it doesn’t track well and isn’t as stable as in the video posted here, took it off the board already, I will get back to it when I feel like dicking around with it. Maybe it wants a Strat and not a Les Paul?

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