Home Forums Tips, Tricks, Clips, and Pics Pedal Order & Ideas – help wanted

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  • #102106
    efilho
    Member
    Quote:
    I personally like it more as my first Dist/Od/Fuzz, but I guess that’s just a matter of taste^^

    It is by all means a matter of taste.

    The only way to go about this is by trial and error!!!

    Use the suggestions just as a guideline.

    As an example, I’m moving my Phaser to be in front of my DIST/OD pedals. This would be heresy for some. But I’ll only know if I like it AFTER TRYING IT MYSELF!

    Ed

    #110950
    deadlyassassin185
    Participant

    Ok, re-kindling an old post I know, but this is how my pedalboard is standing at the moment. You will notice some pedal-choice changes from the previous idea. It is now a lot less ‘Boss-reliant’. Things in brackets are ones that I don’t yet have (yet! =p), but am considering putting in there…

    GUITAR
    >
    (Korg Pitchblack, or Pitchblack+ tuner) . It is true bypass, so that’s ok methinks
    BOSS PW-10 V-wah
    ISP Technologies Decimator G String Noise Reduction

    send>

    Rothwell Love Squeeze Compressor
    EHX POG2
    BOSS BD-2 Blues Driver
    (BOSS OS-2 Overdrive/Distortion)
    BOSS DS-2 Turbo Distortion
    (MXR M-108 10 Band Graphic EQ)
    (EHX Big Muff Pi w/ Tone Wicker)

    ISP return< BOSS FV-500H Foot Volume
    EHX Deluxe Memory Boy
    Rothwell Major Bypass Series Loop Switcher

    send>

    BOSS PH-3 Phase Shifter
    BOSS BF-3 Flanger
    BOSS CH-1 Super Chorus
    BOSS PS-5 Super Shifter

    Major Bypass return< BOSS DD-6 Digital Delay
    EHX Cathedral Stereo Reverb

    > >
    AMP AMP

    The switch to the modulation is because I often use multiple modulation effects, then go to a section without them… it makes for just one pedal press, rather than a massive tap-dance, while trying to still keep in time! The PS-5 is in there too, coz it has a tendency to tone suck, due to its buffer, which isn’t the best. I mainly use it on its trem arm setting, in whammy-esque fashion, so I just click in the loop when I’m gonna do one of those.

    I’m thinking of changing over to one of the Keeley loop switches, to save space, and maybe get another to put the Boss distortions on, both to reduce tone suck when they’re not in use (although the BD-2 is quite transparent), as well as have their activation closer to my feet, coz they are up the top of my board, so I have to reach over some stuff to get to them at the moment.
    Speaking of the BD-2, I’m also thinking of going for one of the Keeley modded ones.

    So, yeah… that’s where things are standing now.

    Onwards!

    #112395
    richardsand
    Member

    Hi guys, it seems that you all know a lot of effects, I´m a newbie using effects in general, as I´ve always been an acoustic guitarist. Now, I got some effects and I wish you guys could give some tips on the order I should plug them on the fx chain.

    First of all, I play with a Fender American Special Telecaster & a Marshall MGDH (the regular one, no tubes)

    My effects chain:

    Guitar -> Dunlop Crybaby Wah –> Digitech Whammy –> Boss Metal Zone –> Big Muff Pi –> Soul Preacher Compression/Sustainer –> Deluxe Electric Mistress –> Deluxe Memory Man –> Cathedral Stereo Reverb –> Amp.

    What do you think? Someone told me that Soul Preacher should go first like Guitar–> Soul Preacher–Wah, etc.

    Somebody else told me that it should go at the end of the chain, just before the Mistress, Memory Man and Cathedral.

    all of these persons gave me their particular reasons and technical info… and I´m a bit confused, as I´m not an audio ingeneer…

    Besides this, sometimes I have volume drops, specially when I use the Big Muff.. Could that be because of the fx chain order?

    Finally, I´m planning to get an English Muffn´or a RAT distortion… where should I put them on the fx chain?

    And finally, Is it better to plug all by the amp´s fx send/return loop? or the lineal configuration is better?

    I will play my first gig next saturday on a medium sized club, so I will appreciate all the help… Thanx in advance friends!

    feel free to email me

    raiskelloggs@hotmail.com

    PD. Please excuse my bad english, it is not my first language.

    #112396
    efilho
    Member

    Hi Richard.

    My two cents here:

    Compressors right after the guitar and before your other pedals. (Maybe after the wah, but definetly before GAIN/OD/DIST pedals)

    Muff should be (MY OPINION HERE) last distortion in the chain. This means that all other distortions come before the muff.

    The volume drop can have so many different causes:
    – Could be that the muff doesn’t like some of the buffers used on other pedals
    – Could be because the MUFF is mid-scooped, so it “feels” like you have a volume drop and you can get really lost in the middle of a band.
    – The room where you are playing at the moment, associated with the mid-scoop. So that the sound that comes from the speakers doesn’t resonate as you expected. Try your setup in different places, put your amp on a table, than at the floor, etc, etc. See what happens.

    And finally, don’t put your gainy pedals (compression, overdrives, distortions, etc) in the amp’s loop. You could even fry the power section of your amp!!!!

    Modulation and delays should be OK.

    #112402
    richardsand
    Member

    Thanx very much for the help…

    I´ll try that fx setup.

    What´s the difference between having the modulation fx on the amp´s fx loop ? is there a lot of difference on the sound than having them in line, at the end of the fx chain? is it better?

    I think the answer is related to the preamp… but I don´t understand how that works… or maybe that applies to valve amps, in order to keep the tone. In my case, I have a 100 watts Marshall amp that is not tube based, so what would be better? modulation fx by the amp´s fx loop or at the end of the chain?

    Finally, I´d like to ask if it´s better to keep the amp´s volume and gain settings on a high level and the pedal´s volume on a low level (like the big muff)… or having the amp´s volume settings to a medium level and the fx on high volume level, or just apply the Jimi Hendrix´s system: everything at 10 level?

    Thanx.

    #112404
    richardsand
    Member
    Quote:
    Hi Richard.

    My two cents here:

    Compressors right after the guitar and before your other pedals. (Maybe after the wah, but definetly before GAIN/OD/DIST pedals)

    Muff should be (MY OPINION HERE) last distortion in the chain. This means that all other distortions come before the muff.

    The volume drop can have so many different causes:
    – Could be that the muff doesn’t like some of the buffers used on other pedals
    – Could be because the MUFF is mid-scooped, so it “feels” like you have a volume drop and you can get really lost in the middle of a band.
    – The room where you are playing at the moment, associated with the mid-scoop. So that the sound that comes from the speakers doesn’t resonate as you expected. Try your setup in different places, put your amp on a table, than at the floor, etc, etc. See what happens.

    And finally, don’t put your gainy pedals (compression, overdrives, distortions, etc) in the amp’s loop. You could even fry the power section of your amp!!!!

    Modulation and delays should be OK.

    What do you mean with “- Could be that the muff doesn’t like some of the buffers used on other pedals” ? I´m sorry if this is a stupid question but I´m a total newbie with this. I really appreciate your help. Thanx.

    #112440
    efilho
    Member

    [/quote]

    What do you mean with “- Could be that the muff doesn’t like some of the buffers used on other pedals” ? I´m sorry if this is a stupid question but I´m a total newbie with this. I really appreciate your help. Thanx.[/quote]

    Some fuzz pedals are a bit picky with what comes before them in the signal chain.

    Sometimes it has to do with input/output impedances…

    #112441
    efilho
    Member
    Quote:
    Thanx very much for the help…

    I´ll try that fx setup.

    What´s the difference between having the modulation fx on the amp´s fx loop ? is there a lot of difference on the sound than having them in line, at the end of the fx chain? is it better?

    I think the answer is related to the preamp… but I don´t understand how that works… or maybe that applies to valve amps, in order to keep the tone. In my case, I have a 100 watts Marshall amp that is not tube based, so what would be better? modulation fx by the amp´s fx loop or at the end of the chain?

    Finally, I´d like to ask if it´s better to keep the amp´s volume and gain settings on a high level and the pedal´s volume on a low level (like the big muff)… or having the amp´s volume settings to a medium level and the fx on high volume level, or just apply the Jimi Hendrix´s system: everything at 10 level?

    Thanx.

    If you have dirtortion in the pre-amp (e.g.: A 12AX7 tube in the pre-amp being “pushed”) it’s kinda good practice to have the modulation after the saturation. It really depends on personal taste but if you apply reverb on a saturated sound it sounds cleaner than distorting a “reverbed” sound. The latter would sound quite messy in my opinion.

    I have a phaser before my distortion/OD. I like it that way. Gives a sort of a univibey sound, or almost like an oscillating filter when before the gain section.

    But I keep delays, reverbs and choruses in the end of the signal chain. I think It sounds cleaner. But really… it’s more a matter of personal taste and “tradition”than anything else.

    Just try different configurations and see what it sounds like. You might discover that breaking some rules gives you what you like better…

    #112474
    richardsand
    Member

    I´ll experiment with the fx order. Thanks a lot for your help.

    #115804
    DerekD
    Member

    Hi! I’m looking for suggestions or recommendations on dialing in my pedal board. I’m kind of a noob of course. =) Here’s my current signal chain (semi-haphazard) powered by a Voodoo Labs Pedal Power 2+.

    Guitar (Heavily modified ’93 Ibanez SV470)>

    Boss TU-2
    Ibanez Tube King (the old beige one)
    Keeley Compressor
    EHX Neo Clone
    EHX Holy Grail Nano
    Digitech Digidelay
    EHX POG2
    Boss SL-20 Slicer
    EHX Freeze
    Boomerang 2+
    Ernie Ball Volume Pedal Jr.

    >Amp (Mesa Boogie Mark III)

    I deliberately opted for the “compressed distortion” versus “distorted compression” option.
    The Keeley stays on all the time though. I didn’t really think too much about where to put everything else other than the fact that I want everything in front of the looper (for obvious reasons). My biggest issue has been with the VP Jr., as it had to be at the end of the chain or else it did not seem to work very well (volume was too low)…now the thing is acting up and I think it needs to be repaired. =( Other than that…what does (anyone) think I should do as far as shifting the order of the POG2/Neo-Clone/Holy Grail/Delay?

    Also, I’m thinking I need to replace the Ibanez Tube King I really like how it sounds: it’s a beast size wise and takes up two outputs on the Pedal Power. I need to get a smaller/newer distortion unit that is versatile and takes up less room. I play in one band where I need gut punching metal distortion and one that needs a little bit of a lighter touch.

    #115807
    Cryabetes
    Participant

    i’d think you’d want to move the HG a little further down the line- probably after the delay/POG2 and slicer, unless you’re using the Slicer as a percussive looper. whether or not it’s before the freeze is going to be a matter of taste.

    also have you considered switching to an active volume pedal? maybe a morley or a DOD FX17 if size is the issue? putting the volume pedal before the delay/reverb situation can make a volume swell really bloom wonderfully.

    #115808
    DerekD
    Member

    Thanks for the tips! I’ll try moving the HG back and getting an active Volume Pedal. Yes, size is kind of an issue for me. I have the 32″ LYT Pedalboard but it’s pretty crammed because of the Boomerang being so big. What to people think of the Morley Mini? I’m also pondering checking out the TC Electronics Dark Matter as an option for distortion (is that sacrilege for the EHX forum?)

    #119357
    HoustonTxAss
    Member

    Poking the fire here, I got a broner for self oscillation and getting nutty sounds, so I’ve finally got a setup and I’m wanting some ideas concerning the order… So this what I’m using atm

    Delta lab metal dist.
    Crybaby wah
    Boss od.

    Ehx ravish sitar/exp pedal
    Ehx memory boy
    Ehx flanger hoax

    Vox time machine
    Ehx cathedral
    Boss dd7

    Peavy vk100 tube amp
    T
    I used to keep my cathedral before the hoax so when I used inf. Sustain I could use the hoax to tweek the sound and so on and so on with the vox and dd7, but now I have this exp pedal to keep a constant drone w the sitar pedal and I just got a memory boy to add even more noise…
    I put the reverb (almost) last after reading this forum and its nice, but any other ideas would be greaaaaaat

    #119558
    Bobby_micline9
    Participant

    Hi all!
    A lot of setups vary upon taste and how you like it to sound. But it does matter if you don’t want to hear a lot of noise coming out of your amp or amps! there are slight differences when you put one in front of another or vice versa. I set tuner, volume pedal, then modulation pedals, then noise suppressor. then echoes and delays, finally my loopers. out to two amps. I do not use distortion, I like my sound clean, as I like to create soundscapes. I use an acoustic electric violin, a Gibson 1989 standard acoustic with a spring load martin pick-up, a 1984 Fender Stratocaster candy apple red, a 2000 Fender Stratocaster Mexican (Rewired of coarse to what it is supposed to be!!) 7pc. a-g harmonicas, a Roland polyphonic Synthesizer, and a Casio standard keyboard, and of coarse a drum machine. I am a bit of a pedal hoarder, don’t want to take them off, love to add!! I take my most favorite pedal and set the volume level to what I really like, then I set all the other pedal volumes as close as I can to that one, so when I close and open I do not get any louder or quieter sound but pretty even. You have to work at this because of all the other settings. I find it is worth the time. You may have to adjust the loopers from time to time, but overall the setup works well. It really depends on what you like. I think the most important, are well placed noise gates or suppressors, and remember, noise suppressors tend to cut down your delays.
    After all it is your signature sound that you want!! This is just what works for me! Have fun!!

    #125266
    RobertRoth
    Member

    How does the various products mentioned on the list compare, and which one can be said to be the best?
    https://latestmusicalinstrument.com/best-phaser-pedal/

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