Welcome to the 17th installment of effects guru, Bill Ruppert’s, Effectology Series. Watch and listen as Bill demonstrates how to create extraordinary bass and drum sounds using (just) his guitar and Electro-Harmonix effects pedals. From hand drums to bass pedals, and beyond, Bill picks, slaps and brushes his way through a collection of mind blowing sounds.

Please note: Bill will be in the EHX Forums to discuss his sounds, settings, and process. We hope you join us there.

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Sonic sleuth, Bill Ruppert takes his EH pedal army to the forefront of Alien invasion. Bill’s creative combinations capture the eerie nuance and the tense attitude of the 1963 Dr. Who theme song. Integrating Electro-Harmonix pedals, Bill proves that EH designs deliver an amazing power whose outer limits are yet to be invaded.

Please note: Bill will be in the EHX Forums to discuss his sounds, settings, and process. We hope you join us there.

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In Effectology 14, pedal guru Bill Ruppert takes us on a journey to previously unchartered sonic territory. Using only Electro-Harmonix pedals and his guitar, Bill creates a series of “believe it or not” soundscapes. Whether it’s the sound of songbirds singing joyfully by a babbling brook or a vintage vinyl “lo-fi” recording complete with clicks and scratches, Bill’s mastery of effects will amaze you. As he says, “Never judge what an effect pedal will do by what you have heard it will do. Experiment and you will find new sounds not yet discovered!” Indeed!

Please note: Bill will be in the EHX Forums to discuss his sounds, settings, and process. We hope you join us there.

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Sonic master Bill Ruppert reproduces the legendary Pink Floyd synth textures from “Welcome To The Machine .“ Using only his guitar and the perfect blend of EH pedals, Bill re-creates the amazing sound-scapes that made this recording special. Each EH pedal provides its own magic to reveal the complexity and textures of the EMS VC3 synthesizer with stunning accuracy.

Please note: Bill will be in the EHX Forums to discuss his sounds, settings, and process. We hope you join us there.

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Welcome to the eleventh installment of EHX Effectology. Bill’s shimmering tones and lush string pads aptly demonstrate the powerful potential that all Electro-Harmonix pedals have. From gorgeous, glassy creations to an elegant legato string section, Bill delivers classic sounds that rival some of the finest studio gear. All sounds were created with one talented guitarist and the perfect interaction of Electro-Harmonix pedals.

Please note: Bill will be in the EHX Forums to discuss his sounds, settings, and process. We hope you join us there.

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Welcome to the tenth installment of EHX Effectology. In this episode Bill demonstrates a sound that reminds him of the keyboard sound in the Led Zepplein song “No Quarter”.
Second example is more of a traditional Fender Rhodes sound with a solo using the guitar into a Voice Box whistle mode.

Please note: Bill will be in the EHX Forums to discuss his sounds, settings, and process. We hope you join us there.

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The great Bill Ruppert creating remarkable collection of sounds.

Please note: Bill will be in the EHX Forums to discuss his sounds, settings, and process. We hope you join us there.

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Today Bill Ruppert, Professor of Effectology, recreates the sound of Pink Floyd's "On the Run" from "Dark Side of the Moon" (pedals used: Micro Synthesizer, Stereo Memory Man with Hazarai, Frequency Analyzer, Big Muff Pi, Stereo Pulsar).

Please note: Bill will be in the EHX Forums to discuss his sounds, settings, and process. We hope you join us there.

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To further set the mood, here's a picture of ZZ Top's Billy Gibbons with EHX's Suzi Matthews (several of you previously spotted Suzi in this video tour of the EHX mothership):