The Polyphonic reverb in OCEANS 11 has two pitch shifters going into a Reverb. So I noticed while fooling arround that there is a volume threshold where the dry and pitch shifted signal are not perceived as a two note harmony any more… You just hear one sound, slightly altered. SO I thought what If I emulated using this principal: the root, first and second harmonic overtone of a sound to alter the timbre of my guitar? I did a limited ammount of tests with very interesting results! …my tone WAS altered and when I wouldn’t be reminded of other instruments, I would get lost in the sound as I would when I played through a marvelous amp with a tone that I couldn’t get enough of. SO I just learned about the OCEANS ABYSS…. with an OCEANS 11 in its effect loop, theoretically 6 overtones can be created!!!! QUESTION: This is fantastic news but for REALLY interesting TIMBRE creation and sound design … IT WOULD BE GREAT IF WE DIDN’T HAVE THE SEMITONE LIMITATION. Metallic and Gamelanish timbres for example, need more freedom. SO …question: Could you maybe do a firmware update for the OCEANS ABYSS THAT WOULD INTRODUCE A RELATIVELY “GRADUAL MODE” OF 127 STEPS IN THE TWO OCTAVE SPAN? ORR… Make a dedicated pedal just for that… programming the OCEANS for this task, is very time consuming because you have to “tuck” each overtone under the previous one… and a bit of a mind twister… so it would be great to have a dedicated tool that would make things more straight forward.