Home › Forums › EHX News › Effectology Episode 13: Pink Floyd Synth Effects

Viewing 15 posts - 16 through 30 (of 41 total)
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  • February 27, 2010 at 8:43 pm #108023
    bennyvx78
    Participant

    Well man. This has been you’re 13th effectology contribution. But it
    didn’t bring you bad luck. Contribution? I mean this little piece of
    art in Audio. Just Amazing, Whe often forget all the incredible, psychedelic
    things pink floys did back then. And we honor them with this fine work.

    Until nxt time.
    :D

    February 27, 2010 at 9:59 pm #108025
    DarkAxel
    Participant

    by the way… on the synth lead tone – wouldn’t it be better if you wouldn’t just turn on the vibrato but put it in bypass loop after volume pedal for more natural blending effect? :)

    February 28, 2010 at 2:08 pm #108040
    bill ruppert
    Participant

    You would need a volume pedal that would cross fade into a separate loop or a pan pedal that would pan to another channel and then to a mixer to recombine the signal split into one output.
    Yes, it would be a smoother transition into the vibrato effect, but for simplicity sake I went with a straight series chain.
    I am not sure who makes a volume pedal that cross fades into a separate loop.
    Bill

    Quote:
    by the way… on the synth lead tone – wouldn’t it be better if you wouldn’t just turn on the vibrato but put it in bypass loop after volume pedal for more natural blending effect? :)
    February 28, 2010 at 2:40 pm #108041
    DarkAxel
    Participant

    i mean like from the send of TB loop to volume pedal then to the vibrato and from vibrato to return of the Tb loop… so you could blend the signal from the loop to your original signal

    i think it doesn’t even matter if the volume is before or after the vibrato

    or im just dumb :freak: because TB loopers probably aren’t made parallel to your dry signal… i just realized

    your solution is more simple

    February 28, 2010 at 6:53 pm #108045
    bill ruppert
    Participant

    Dark Axel,
    Well it has to be a series loop for the vibrato as any blend of the vibrato and straight signal would turn the vibrato into a chorus effect.
    In the case of the Clone Theory the difference between chorus and vibrato is just the the vibrato and zero dry signal added.
    I looked around today for a commercial volume pedal that uses a external loop and found none.
    If I find something I will post.
    It would be a cool thing to have.
    Bill

    Quote:
    i mean like from the send of TB loop to volume pedal then to the vibrato and from vibrato to return of the Tb loop… so you could blend the signal from the loop to your original signal

    i think it doesn’t even matter if the volume is before or after the vibrato

    or im just dumb :freak: because TB loopers probably aren’t made parallel to your dry signal… i just realized

    your solution is more simple

    February 28, 2010 at 9:21 pm #108047
    DarkAxel
    Participant

    ok, sorry for bothering you with this :D i didn’t realize the problematic of vibrato/chorus difference – i’m not into choruses that much so i don’t know much about them

    February 28, 2010 at 11:16 pm #108049
    bill ruppert
    Participant

    No bother at all!!
    You have a great idea.

    Bill

    Quote:
    ok, sorry for bothering you with this :D i didn’t realize the problematic of vibrato/chorus difference – i’m not into choruses that much so i don’t know much about them
    March 2, 2010 at 4:18 am #108086
    nneekolas
    Participant
    Quote:
    I am not sure who makes a volume pedal that cross fades into a separate loop.
    Bill

    Morley makes something that does something similar to this:

    http://www.morleypedals.com/dfxb.html

    I’m sure there are others?

    March 2, 2010 at 2:44 pm #108102
    bill ruppert
    Participant

    nneekolas,
    Thank you, that is it!
    I should have that one!!
    Bill

    Quote:
    Quote:
    I am not sure who makes a volume pedal that cross fades into a separate loop.
    Bill

    Morley makes something that does something similar to this:

    http://www.morleypedals.com/dfxb.html

    I’m sure there are others?

    March 2, 2010 at 3:15 pm #108104
    bill ruppert
    Participant

    Years ago I had a Morley “Oil Can”delay pedal.
    It was GIANT!!!!!!!!!!!

    March 2, 2010 at 4:06 pm #108106
    DarkAxel
    Participant
    Quote:
    morley pedals are always too big for me

    yeah? and what isn’t? :D you are complaining about size of pedals like all the time :D

    Well, Bill… that’s something you could use :) cool

    March 23, 2010 at 3:28 am #108737
    sonikbliss
    Member

    Great work Bill! This is fantastic information, keep it coming!

    March 23, 2010 at 4:17 am #108746
    bill ruppert
    Participant

    Thanks sonikbliss!
    I am working on a new video as we speak.
    Thanks for writing.
    Bill

    Quote:
    Great work Bill! This is fantastic information, keep it coming!
    April 11, 2010 at 10:55 pm #109215
    tuskbane
    Member

    Hi awesome effectology

    sorry if this question’s a bit silly but would the portamento (synth) at the end of this effectology not be able to be done with the hog? not the tone of the synth but like a hog and micro synth together work for the portamento part?

    April 12, 2010 at 1:46 am #109219
    bill ruppert
    Participant

    Thanks tuskbane!

    The portamento effect in the V256 is very different than the glide effect in the HOG.
    The HOG must be in freeze mode before it will slide to the next note.
    The V256 does it automatically when you change notes.
    The sound of the effect is very different as well.

    Bill

    Quote:
    Hi awesome effectology

    sorry if this question’s a bit silly but would the portamento (synth) at the end of this effectology not be able to be done with the hog? not the tone of the synth but like a hog and micro synth together work for the portamento part?

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