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Posted: 07 January 2010 02:20 PM | Link to this reply (#76)

after playing with a DRM16 this afternoon, a RI or a more flexible take certainly wouldn’t go amiss! lo-fi beats would be so great.

drm16.jpg

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Posted: 08 January 2010 12:31 AM | Link to this reply (#77)
merdujapon - 07 January 2010 02:20 PM

after playing with a DRM16 this afternoon, a RI or a more flexible take certainly wouldn’t go amiss! lo-fi beats would be so great.

drm16.jpg

mos def agree

mos_def.jpg

big muff pi with tone wicker

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Posted: 13 January 2010 03:36 AM | Link to this reply (#78)

How about a XO version of big box small stone.

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Posted: 13 January 2010 04:03 AM | Link to this reply (#79)

do you mean….“Bad Stone”?

Dunlop Classic Crybaby W/Fasel
EHX Bass Balls (Rusn)
EHX Dr.Q (clssc)
EHX The Worm XO
EHX Black Finger (tube)
EHX Double Muff
EHX Screaming Bird (nano)
EHX The Mole (nano)
EHX LPB-1 (nano)
EHX Nano Clone
EHX Metal Muff w/ top boost (full)
EHX Small Stone (V1)
EHX Small Clone
EHX Switch Blade (clssc)
Ibanez Luio chromatic tuner
EHX The Silencer
EHX Polychorus
EHX Stereo Memory man w/H
EHX Holier Grail
BBE Sonic Stomp
Zoom MRT-3b drum machine
EHX MX-3M Micro Mixer

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Posted: 13 January 2010 05:42 AM | Link to this reply (#80)
Mr.Grim - 13 January 2010 04:03 AM

do you mean….“Bad Stone”?

No, I mean the regular classic chassis small stone, since many guys are saying the color switch up in the nano SS is not as strong and dramatic as the classic chassis SS. Though, XO Bad Stone would be nice too.

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Posted: 24 January 2010 10:40 PM | Link to this reply (#81)

2 knob nano comb filter….

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Posted: 25 January 2010 01:28 PM | Link to this reply (#82)
friedjesseradio - 17 December 2009 11:56 PM
LucasKinch - 15 December 2009 05:21 PM

Surround moddeling pedal… a crossover between reverb, delay, panning and slight phase shifting..

it would have a mode control to set the “movement direction” of the sound
- circular: sound is moving (around) you in a circle
- bi-polar circle, same as above, except and out of phase signal will run reversed to the first.
- random: sound randomly moves “around” the room. step pan/phase?
- Crossover: left and right gradually switch their places and phase.
- wide/close: signal widens and closes
- in front/ behind: signals phase widens and closes

all of these modes would be directed into a stereo delay with these modes:
- None
- Reverse
- Normal

it would have a delaytime for left, and one for right.

at last the sound will enter a reverb section:

- Flerb
- Spring
- Hall
- None

the pedal would have bypass switch and a switch to freeze/breake the rate.

controls:
knob for mode (like on the hazarai)
knob for rate
knob for delaytime 1
knob for delaytime 2
knob for depth of effect
knob for feedback (this would control feedback of delays and depth of reverb)

stereo in and out, expression to control rate

**would be soooo insane**

EDIT: they should call it the motionsickness

i cant put this sound together in my head, but couldnt this be done with a polyphase, pulsar, holygrail plus, and memory toy?

and i was wonderin, can ehx take that name? is it up for grabs, or would there be a major legality deal?

basically, yes… but i’d say youd need a bunch of pulsars for the real deal… a bunch of them, and a bunch of amps… placed around you… and then it would look like this…

guitar - > pulsar > left side to another pulsar > right side to another pulsar… that gives you four amp outputs… the more the better… with some tweaking, you could achieve a circular movement of sound around yourself… ^^

i want to build this… xD

EDIT: oh, and im pretty sure they can take it… smile

Edited: 25 January 2010 01:30 PM by LucasKinch
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Posted: 25 January 2010 04:29 PM | Link to this reply (#83)
LucasKinch - 15 December 2009 05:21 PM

Surround moddeling pedal… a crossover between reverb, delay, panning and slight phase shifting..

it would have a mode control to set the “movement direction” of the sound
- circular: sound is moving (around) you in a circle
- bi-polar circle, same as above, except and out of phase signal will run reversed to the first.
- random: sound randomly moves “around” the room. step pan/phase?
- Crossover: left and right gradually switch their places and phase.
- wide/close: signal widens and closes
- in front/ behind: signals phase widens and closes

all of these modes would be directed into a stereo delay with these modes:
- None
- Reverse
- Normal

it would have a delaytime for left, and one for right.

at last the sound will enter a reverb section:

- Flerb
- Spring
- Hall
- None

the pedal would have bypass switch and a switch to freeze/breake the rate.

controls:
knob for mode (like on the hazarai)
knob for rate
knob for delaytime 1
knob for delaytime 2
knob for depth of effect
knob for feedback (this would control feedback of delays and depth of reverb)

stereo in and out, expression to control rate

**would be soooo insane**

EDIT: they should call it the motionsickness

hang on…

a stereo pedal, which makes a ‘surround sound’?

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Posted: 25 January 2010 04:54 PM | Link to this reply (#84)
Kevin Demuth - 25 January 2010 04:29 PM
LucasKinch - 15 December 2009 05:21 PM

Surround moddeling pedal… a crossover between reverb, delay, panning and slight phase shifting..

it would have a mode control to set the “movement direction” of the sound
- circular: sound is moving (around) you in a circle
- bi-polar circle, same as above, except and out of phase signal will run reversed to the first.
- random: sound randomly moves “around” the room. step pan/phase?
- Crossover: left and right gradually switch their places and phase.
- wide/close: signal widens and closes
- in front/ behind: signals phase widens and closes

all of these modes would be directed into a stereo delay with these modes:
- None
- Reverse
- Normal

it would have a delaytime for left, and one for right.

at last the sound will enter a reverb section:

- Flerb
- Spring
- Hall
- None

the pedal would have bypass switch and a switch to freeze/breake the rate.

controls:
knob for mode (like on the hazarai)
knob for rate
knob for delaytime 1
knob for delaytime 2
knob for depth of effect
knob for feedback (this would control feedback of delays and depth of reverb)

stereo in and out, expression to control rate

**would be soooo insane**

EDIT: they should call it the motionsickness

hang on…

a stereo pedal, which makes a ‘surround sound’?

the trick is to emulate the sound of a certain surround position… sounds coming from behind tends to have anoter phase than upfront… you will get the sound, but it wont feel like surround.

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Posted: 26 January 2010 04:39 PM | Link to this reply (#85)

They have a couple of pedals that do whammy type pitch shifting already, but I’d like to see something completely dedicated to that to directly be a sore in the side of digitech. I see ehx as being the only company that would take up the task. I’d prefer if the exp. could be plugged in so I can put it anywhere I want. If not then maybe a mirco pogish pedal with exp. in and could be pitch shifted an octave down to octave up.

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Posted: 03 February 2010 03:57 PM | Link to this reply (#86)

I think that if you have the juiciest pedals from EHX you’d be so covered that it would be hardly possible to create something original. Reissues are always welcome, combining pedals as well…

But what I really would like to see is something original, something that redefines effects.

Phase - Reverb - Delay - Chorus - Flanger… these effects are but some of the few that shape most pedals out there. What about a completely new effect?

What about combining an incredibly unbreakable sustain, octave and wah? Like really thinking out of the box here…

:P

Rig:
Epiphone Custom Silverburst - Blackstar HT-5H - Orange PPC112 - Soul Preacher - POG2 - Small Stone - Stereo Electric Mistress - Cathedral

Prog. Rock (Oldies):
King Crimson, Focus, Gryphon, Premiata Forneria Marconi, Steve Howe, Anthony Phillips, Museo Rosenbach, Artsruni

Prog. Rock (Newies):
Solaris, Änglagård, Wobbler

Rocky stuff:
Cream, Ten Years After, Jimi Hendrix, Travis Larsom Band

Worth a listen:
Mulatu Astatke, Tony Allen, Bob Brozman

http://www.dreamyguy.com

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Posted: 06 February 2010 12:39 AM | Link to this reply (#87)

Rather than a new product I think you should re-design the Stereo output pedals with STEREO INPUTS!!
I mean, c’mon, what good is it to have an stereo Chorus/Flanger/Tremolo, y’name it if you can’t keep it past that?

Life is not a rehearsal

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Posted: 09 February 2010 08:30 AM | Link to this reply (#88)

XO POLYCHORUS AND DELUXE OCTAVE MULTIPLEXOR!!!

Edited: 09 February 2010 08:33 AM by pencil-in
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Posted: 11 February 2010 10:53 AM | Link to this reply (#89)
Blurillaz - 24 January 2010 10:40 PM

2 knob nano comb filter….

what do you mean by this?

big muff pi with tone wicker

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Posted: 11 February 2010 11:29 AM | Link to this reply (#90)

a comb filter is sort of an array of very short delays (think flange range, or filter matrix) set to resonate different musical notes.  It gives sort of an artificial effect of sympathetic strings, sympathetic strings being strings that vibrate audibly without being touched in an acoustic instrument, such as a sitar. 

Something like this:

http://www.youtube.com/watch?v=WJTh87kmUzM

I’ve played with software ones, but they generally tend to kind of suck and give a very artificial sound IMO.  I think the real problem is that when you have a comb filter and play a note, every note resonates, when only the notes that are harmonically related would resonate on real sympathetic strings.

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