DarkAxel - 27 July 2010 02:14 AM
well first of all - you don’t have to run the stereo polyphase in stereo
i also have just one amp and even then it’S great
it’S about lots of options - i get that
but still - you are like “I am working out what pedals are my ESSENTIALS” - and i’m just telling you what i’d do
i’d still keep as much options as i could, but for less tone loss and less pedals, you sometimes have to compromise…
yeah, i’m not a big fan of Digitech, i admit that… their pedals just don’T do it for me. But the Whammy is awesome - if the english guy that sent me mine wouldn’t be stupid, i’d had one right now… it came in the mail broken because he didn’t pack it very g… at all :-D
if you like some whacky sounds - for phaser, try Boss PH-2
it can be pretty extreme and whacky - i just love this pedal, but i had to get rid of it for financial reasons…
After some consideration, I realised my stereo comment was completely unfounded. Didn’t really think that one through. Lol. Some of my favourite pedals are stereo. DD20, SMWH etc.
Haha. Thanks for your input! I totally get where you’re coming from. I actually went home after work and took the 2 Digitech pedals off just to see where it got me.
I am making a “live” board and an “odd-ball” board. My live board will have all my essentials (mostly delays and power boosters/overdrives) whereas my “odd-ball” collection will have all those weird and wonderful effects I only really use once a blue moon for recording or when I have a couple hours to kill at night and feel adventurous.
The whammy is sick. Even the new one (some people complain and say it’s too digital whereas the 1st one was warmer). I bought it and went “oh great, all it does is Tom Morello” but then over time I discovered it does a really nasty chorus in DETUNE mode which is really unique and its OCTAVES are pretty interesting. Also the 5th harmony mode adds some weird suspensions when playing normal chords. A little inspiring when you’re in a rut.
I almost agree with you on the Digitech front. I only have those because they were some of the first pedals I bought. They are built quite well. I LOVE my Bad Monkey though. Phil X (of Fretted Americana) uses it and I thought, “what they hey”. Have not regretted it.
I have slowly found out over my time playing that my ESSENTIALS are generally delays and sometimes dynamic processors (overdrives, compression) not such a modulation kind of guy. I like it, but only really in the studio, live it’s sort of lost on me. Mainly because I am busy vocalising, and don’t have time to tap dance on my pedal board. It’s one of two things DRIVE or CLEAN with me live. And occasionally delays are thrown in, just because delay makes everything better! :thumb: