I’ll kick it off with my bass board. This is actually the least EHX I’ve ever had on it! I intend to solve that quite soon.
It is a little messy since I had been having some power issues and had to mess with all my daisy chains.

http://www.youtube.com/watch?v=F56pmRxEJyI

Thanks a lot !

Iron Maiden - Wasted Years Cover

http://www.youtube.com/watch?v=NkR_r7YOIMQ

Metallica - Solo from nothing else matters (classic!)

http://www.youtube.com/watch?v=x-XrRGpcQto

Just got this pedal two weeks ago and haven’t stopped shoegazing since.  Enjoy!

now i need to know if the Poly Chorus, and the Poly Flange is the same thing just renamed?

if it is i don’t need to get the Flange right away , seeing i have the Stereo Poly Chorus all ready.

from the pics I’ve seen they both have the same controls exactly, just that two of the knobs are in a diff location.

can anyone confirm this?

Here’s a template for writing down settings

this stuff is all lifted from HC’s SMMH lounge
http://acapella.harmony-central.com/forums/showthread.php?p=24027419#post24027419

a lot of this stuff is from me and Fender&EHXforever;, among others

So here’s a compilation of stuff from that old thread

Here’s a clip with SMMH’s pitch-bending-modulation-played-as-volume-swells-looped with reverse notes overlaid:

http://www.soundclick.com/bands/default.cfm?bandID=750566&content=songinfo&songID=5777328

[U][B]Volume swells looped[/B][/U]

Blend: 12:00
Decay: minimum
Filter: maxed
Repeats: maxed
Delay: maxed
Hazarai: 300 mS + Mod

[B][U]Reverse notes[/U][/B]

Blend: maxed
Decay: 9:00
Filter: 3:00
Repeats: 9:00
Delay: 12:00
Hazarai: Reverse Echo

shoegazery clip

http://www.soundclick.com/bands/page_songInfo.cfm?bandID=651215&songID=5774178

Heres how I did it: LBM + SMMH in 3 second echo with an oscillating reverb sound looping E and G chords.

Then I did arpeggios in 300 ms + mod with a really deep pitch shift.

Then overtop of that I did 1 sec + reverse mode lead with the polyphase on.

5 part demo:
http://www.soundclick.com/bands/page_songInfo.cfm?bandID=651215&songID=5775148
http://www.soundclick.com/bands/page_songInfo.cfm?bandID=651215&songID=5775211
http://www.soundclick.com/bands/page_songInfo.cfm?bandID=651215&songID=5775224
http://www.soundclick.com/bands/page_songInfo.cfm?bandID=651215&songID=5775258
http://www.soundclick.com/bands/page_songInfo.cfm?bandID=651215&songID=5775293
just the 1 second echo mode demo:
http://www.soundclick.com/bands/page_songInfo.cfm?bandID=651215&songID=5775293

Here’s a clip with the SMMH’s stereo flanger (very Polychorus sounding) in a loop with reverse echo notes overlaid.

http://www.soundclick.com/bands/default.cfm?bandID=750566&content=songinfo&songID=5777333

[B][U]Stereo Flanger[/U][/B]

Blend: 3:00
Decay: 9:30
Filter: 12:00
Repeats: 1:00
Delay: minimum
Hazarai: 300 mS + Mod

[B][U]Reverse Echo Notes[/U][/B]

Blend: maximum
Decay: 10:00
Filter: minimum
Repeats: 1:00
Delay: 1:00
Hazarai: Reverse Echo

You can do also do ring mod in reverse echo mode. Crank the decay, turn the delay time down to about 8:30, and play with the repeats knob.

If you play with the settings in reverse echo you can also get a really trashy almost bit crushed tone. Because the decay works like a fast multi tap of each long reverse delay you do, it can get really freaky bowie.

Here’s a soundclip using SMMH’s chorus-and-delay-played-as-a-looped-riff overlaid with some freaky Reverse Echo FX.

http://www.soundclick.com/bands/default.cfm?bandID=750566&content=songinfo&songID=5780022

Melx :wave: here’s a clip playing bar chords through a BMP into the SMMH.

http://www.soundclick.com/bands/default.cfm?bandID=750566&content=songinfo&songID=5780413

First two bars are the loop played forward,
then I reverse the loop by turning the Decay know full counter-clockwise,
then I play around with the Filter knob to get a kind of parametric EQ/wah effect,
then I play with the Delay knob to slow down and speed up the loop,
and then I finish by returning the loop to its original form by turning the Decay knob full clockwise.

I hope this gives you some idea of what you are looking for

Here’s a clip using a Boss PS-3 into the SMMH.

http://www.soundclick.com/bands/default.cfm?bandID=750566&content=songinfo&songID=5781285

Ok, so I just realized something really cool.  If you want to have pre delays and reverse reverb- here is a cool trick

1. Plug in the Stereo Memory Man as you normally would in mono
2. Record a chord part of a riff. 
3. Unplug the output cable
4. plug a patch cable into the mono output jack, then plug the other side into the right input on the other side
5. Now plug your output cable into the right output
6. you now have your left channel jumpered into your right channel
7. now reverse your loop
8. now choose a delay setting you like, and notice it is now affecting your loop. 
9. hold down record for the duration of the loop
10.  unreverse the loop

Jumpering the left onto the right channel has some other cool effects.  You can get even weirder effects having double modulated delay or double reverse delay (some of the echoes will play in forward)

Oooh, here is another nice setting:

pseudo-swells

set to multi-tap 1 sec or 3 sec
blend all the way up
decay all the way up
filter at where you like it
repeats all the way up
delay controls the length of the swell-set it low then go from there- less delay time = shorter swell

Because you are just having echos that are going very fast and getting louder, it sounds swell like, but with a tremolo attack

ooh, here is another trick.

Because the tap tempo normalizes the pitch of a loop, you can quickly go up or down an octave hands free and back again with the preset knob.

Have your delay time somewhere other than 12 o clock in loop mode. Save that setting as a preset.

Now record a loop. Lightly tap the preset button and it will pitch shift to whatever setting you have.

Now you can overdub.

When you tap tempo, it returns you to your original pitch